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Post by gray1720 on Sept 10, 2024 16:04:42 GMT
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Post by spinno on Sept 10, 2024 17:27:16 GMT
Must have mistaken me for Fox Talbot! Not Fox Mulder then...
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Post by gray1720 on Sept 10, 2024 19:20:15 GMT
Oppsoite 'spoons is apparently not funny or quirky enough for The Sign Shrine on Arsebook. Ah well....
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Post by zou on Sept 14, 2024 16:21:09 GMT
What film were you shooting? Kentmere pan100 B+W. I still have quite a few frames to take before I get it processed, but I opened the back of the camera to preview what I've taken already and it doesn't look promising. So other than being robbed by your local developer, how was it?
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Post by MJB on Sept 14, 2024 16:43:35 GMT
Kentmere pan100 B+W. I still have quite a few frames to take before I get it processed, but I opened the back of the camera to preview what I've taken already and it doesn't look promising. So other than being robbed by your local developer, how was it? I'll let you know when I get the photos back. We'll see how good a sunny 16, overcast 11, and a gloomy 8 turn out. Forgetting to wind on the film after each shot is annoying though.
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Post by zou on Sept 14, 2024 16:54:50 GMT
So other than being robbed by your local developer, how was it? I'll let you know when I get the photos back. We'll see how good a sunny 16, overcast 11, and a gloomy 8 turn out. Forgetting to wind on the film after each shot is annoying though. Gets you more pics on a roll tho!
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Post by gray1720 on Sept 20, 2024 17:57:33 GMT
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Post by gray1720 on Sept 20, 2024 18:14:09 GMT
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Post by zx9 on Sept 20, 2024 18:42:37 GMT
I like those Adrian, the town pictures have a real nice colour to the reds and greens especially in the mural and the old butchers' shop. What film was it?
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Post by gray1720 on Sept 20, 2024 18:54:57 GMT
I like those Adrian, the town pictures have a real nice colour to the reds and greens especially in the mural and the old butchers' shop. What film was it? Common or garden Kodak Gold 200, Keith. I must post the shots on 1990s Truprint film from a camera I was given. The shots taken back then aren't too bad, the latent image hadn't deteriorated much, but the ones I took to finish it off had some very funky colour shifts.
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Post by zx9 on Sept 20, 2024 19:05:06 GMT
I like those Adrian, the town pictures have a real nice colour to the reds and greens especially in the mural and the old butchers' shop. What film was it? Common or garden Kodak Gold 200, Keith. I must post the shots on 1990s Truprint film from a camera I was given. The shots taken back then aren't too bad, the latent image hadn't deteriorated much, but the ones I took to finish it off had some very funky colour shifts. I still have the remains of a Fuji Superia 400 press pack to use up which is twenty odd years out of date, it has a look is about the best you can say for it.
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Post by zou on Sept 20, 2024 19:12:46 GMT
Common or garden Kodak Gold 200, Keith. I must post the shots on 1990s Truprint film from a camera I was given. The shots taken back then aren't too bad, the latent image hadn't deteriorated much, but the ones I took to finish it off had some very funky colour shifts. I still have the remains of a Fuji Superia 400 press pack to use up which is twenty odd years out of date, it has a look is about the best you can say for it. Superia works best in bright light I think. Certainly no issues shooting it in Japan whereas here it can get a bit murky/flat/funky.
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Post by zou on Sept 20, 2024 19:17:04 GMT
I still have the remains of a Fuji Superia 400 press pack to use up which is twenty odd years out of date, it has a look is about the best you can say for it. Superia works best in bright light I think. Certainly no issues shooting it in Japan whereas here it can get a bit murky/flat/funky. On which note I'm convinced that Fujifilm and Kodak are optimised for their 'home' market's light and colour palette. That's why here we just have Ilford black and white.
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Post by zx9 on Sept 21, 2024 9:29:57 GMT
Superia works best in bright light I think. Certainly no issues shooting it in Japan whereas here it can get a bit murky/flat/funky. On which note I'm convinced that Fujifilm and Kodak are optimised for their 'home' market's light and colour palette. That's why here we just have Ilford black and white. Um, thinking of Ilford Phoenix, I wonder what light they get in Cheshire.
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Post by spinno on Sept 21, 2024 9:49:43 GMT
On which note I'm convinced that Fujifilm and Kodak are optimised for their 'home' market's light and colour palette. That's why here we just have Ilford black and white. Um, thinking of Ilford Phoenix, I wonder what light they get in Cheshire. We could ask Nige...he lives there and used to roll the films for Ilford
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